
Each year, certain directions are considered
inauspicious because they can exert evil influences generally referred to as Sha
Qi. Referred to as the San Sha, Tai Sui, and Sui Po, these portents of Sha Qi
change directions and locations annually, the change coinciding with Li Chun,
the annual beginning date of the Chinese Solar Calendar.
However, unfortunate effects generally will only
manifest under specific circumstances, such as when the earth is disturbed.
Detrimental effects will not occur without cause.
These Sha directions are considered by some Feng Shui
Masters to be of extreme importance in the applications of Feng Shui. However,
not all Feng Shui Masters subscribe to the validity of the theories of San Sha,
Tai Sui, and Sui Po. As with many aspects of Feng Shui, these theories are
controversial, some stating that the theories are based in genuine phenomenon,
others stating that the theories are based in psuedo-theoretical premises.
The theories of San Sha, Tai Sui, and Sui Po
originated from the San He system of Feng Shui and were incorporated into the
San Yuan system of Feng Shui during the late Ming Dynasty.
San He, one of the major traditional schools of Feng
Shui, uses the concepts of Four Pillars to read Feng Shui. San He literally
translates as Three Unities or Three Combinations. Since the name of the system
is the same as the formula for determining the San Sha, it would appear that
this relationship is critical to this style of Feng Shui.
In order to understand these three components of Qi,
comprehension of specific critical information concerning any given year is
prerequisite. This includes knowledge of the 12 Earthly Branches, the 24
Mountains, and the Five Elements. Also notice that aspects of the 12 Branches
and the 24 Mountains charts are interchangeable, although quite different.
The primary factor involved in recognizing the
location of San Sha, Tai Sui, and Sui Po is the Branch of the Year. This factor
will determine all of their annual positions.

The 12 Earthly Branches
[Courtesy of Ray Langley, © 1999, All
Rights Reserved]

The 24 Mountains
[Courtesy of Ray Langley, © 1999, All
Rights Reserved]
The San Sha
The Theory of San Sha is derived from the Gua
(Hexagrams/Trigrams) of the Yi Jing. The basis of the San Sha is in the San He
which refers to the three Branches involved in forming the San Sha.
San Sha is generally referred to as Three Sha, Three
Evils or Three Killings. San He Masters consider the San Sha as the most
dangerous component of Sha Qi when examining Feng Shui.
The San Sha are allocated to three separate and
separated Mountains in one of the four cardinal compass directions. These three
Mountains, referred to as San Sha Major, each span the entire 15º of the
Mountain they occupy. But these three Mountains are not adjacent to each other,
separated by two secondary Mountains, San Sha Minor, sometimes also referred to
as "sitting sha" because, although not technically part of the San Sha, they sit
with the San Sha.
The effects exerted upon these two secondary
Mountains are referred to as Jia Sha (Pinch Sha) because, as they are "pinched"
between the evil Mountains, a detrimental pressure is applied to them on both
sides by the San Sha Major. So, although the San He technically assert a
detrimental influence to three specific Mountains, they actually assert a
detrimental influence to five Mountains.
The San Sha are associated with three of the 12
Earthly Branches in any given year. These three Branches change by progression
in a yang direction each year.
These three Branches are not the San Sha, but
determine the position of the San Sha. The three Branches are framed as a trine,
one Branch at each point of the triangle. The relationship of the three Branches
of this Trinity is called San He. This Trinity is the Frame of the San Sha.
There are four distinct Frames within the 12
Branches. Each of the four specific Frames displays the nature of a specific
Element, either Wood, Metal, Fire, or Water. The Elements of the Frames are in
opposition to the Elements of the San Sha direction.
| Year |
Element Frame |
San Sha Direction |
San Sha Mountains |
| Rat, Dragon and Monkey |
Water Frame |
Wu (South) |
Si - Wu - Wei |
| Rabbit, Goat and Pig |
Wood Frame |
You (West) |
Shen - You - Xu |
| Tiger, Horse and Dog |
Fire Frame |
Zi (North) |
Hai - Zi - Chou |
| Ox, Snake andRooster |
Metal Frame |
Mao (East) |
Yin - Mao - Chen |
The Four Frames of the Twelve Earthly Branches
In any given year, the Frame is determined by the
Branch of the Year. The position of the San Sha is then determined by the
specific Frame. The San Sha are the three Branches opposite the Frame.
One Branch in each Frame occupies a Xing location, a
cardinal compass direction. The four Xing Palaces are Wu, You, Zi, and Mao,
respectively assigned to the South, West, North, and East.
These Xing locations are the factors which determine
the annual locations of San Sha. The San Sha always occupies the Xing direction
diametrically opposed to the Xing direction extant within the Frame related to
the year. The center of the San Sha is always located in the North, South, East,
or West.
The three Branches of any given Frame are also
assigned specific influences referred to as the Sui Sha, Jie Sha, and Zai Sha,
generic names which refer to the specific type of Sha Qi they exert. It has been
suggested that the three names Sui, Jie, and Zai Sha were a later convention
designed to fit the idea of San He. The details are not actually in the names.
The assignment of specific Branches to the Sui Sha,
Jie Sha, and Zai Sha are enveloped in controversy. Different Four Pillars
schools maintain differing interpretations. However, observing a chart of the 12
Earthly Branches, beginning with the Year Branch and moving in a yang (clockwise
direction), it is generally considered that:
- Sui Sha, the first component of the San Sha, is the wrath of the Tai Sui.
- Jie Sha, the second component of the San Sha, is the Robbery Sha, which is
in charge of robbery, betrayal, and depravation.
- Zai Sha, the third component of the San Sha, is the Calamity Sha, which is
in charge of bringing mishaps and calamities.
The Jie Sha and Zai Sha do not exert evil influence
into the palace itself. They exert their influence into the San Sha. The Sui Sha
however does exert influence into both the Palace which it occupies and into the
San Sha.
Essentially, the entirety of the Frame amplifies the
Sha, focusing the Sha from the Xing direction to interject the Qi into the
Mountains of the San Sha.
Offending or disturbing the San Sha may cause various
levels of effects including illness and injury. Minor effects could entail short
term illnesses and loss of money. Medial effects could entail blood-related
injuries and loss of wealth. Extreme effects could entail severe injuries,
calamities, destitution and fatalities.
If the San Sha are not disturbed they are usually not
a problem.
Avoid disturbing the earth or engaging in renovations
or construction in the San Sha direction as this is Fan Sha (touching or against
Sha). It is advisable to avoid the San Sha, it is acceptable to face the San
Sha, but it is not advisable to sit in the San Sha ("yi xiang bu yi zuo",
Shen Shi Xuan Kong Xue, Volume 3, p 286). It is also advisable to
ensure that there is a good annual or monthly star at the San Sha and to choose
correct dates from the Tong Shu if it is necessary to perform construction or
renovations in the San Sha direction.
It is also advised not to engage in new construction
of a building that, during the specific year, sits on the San Sha.
In a Zi year, a building with a Zi sitting is
acceptably facing the San Sha, but a building with a Zi facing (sitting at
either Si, Wu, or Wei) is detrimentally sitting on the San Sha.
Also, when the San Sha is at a door entering into the
building, opening and closing the door is considered to be a disturbance. The
cure is to place a pair of metal Qi Lin inside or outside the door.
Remedies can be employed to subdue or vanquish the
effects of San Sha. If the San Sha are disturbed, place metal between the
building and the disturbance. This cure remains the same from year to year and
from Period to Period.
The classical remedy is to use statues of protective
animals, either a Pi Xie (a figure "to ward off evil") or Qi Lin (Chinese
Unicorn). These are usually made of metal, clay, or porcelain. For use as Feng
Shui remedies there are two separate schools of thought: According to the
theories of San Yuan the cures must be made of metal because it is the Element,
not the figure itself, which effects the cure. According to the theories of San
He, metal, clay, and porcelain are acceptable materials, consideration focused
on finely detailed symbolic representation of the figure, the actual Element of
the material bearing less critical consideration.
Feng Shui Masters in ancient times also advocated the
use of a God of War figurine on the location of the San Sha because,
traditionally, San Sha is believed to be a group of thieves. If you sit with
them they will rob and injure you. It is better to face them from a distance
than to sit with them. Guan Di, the God of War, with all his exuberance and
power can easily subdue or banish all three thieves.
Tai Sui
The Tai Sui, generally referred to as the Grand Duke
of Jupiter, Grand General, or the Commander of the Year, is an intangible star
which always corresponds directly to and occupies the Year Branch in any given
year. The detrimental influence of the Tai Sui spans the entire 30º of the Year
Branch.
The ancients observed the effects of an intangible
star in relationship to the position of the tangible star Sui Xing (the planet
Jupiter) along the Yellow Belt. This intangible phantom star was identified as
the Tai Sui. But while the Tai Sui is in relationship with the Sui Xing, the Tai
Sui is not the Sui Xing. The Tai Sui moves in a yang (clockwise) direction
around the Yellow Belt.
The Sui Xing, known as the Year Star, completes one
sidereal revolution around the sun in approximately 11.86 years. Sui Xing moves
in a yin (counterclockwise) direction around the Yellow Belt.
The phenomenon of the progression of the Tai Sui and
the Sui Xing in opposite directions causes the positions of the Tai Sui and the
Sui Xing to coincide and occupy the same location in conjunction every 6 years.
However, a relative discrepancy exists. The Tai Sui
operates on an exact 12 year cycle and the Sui Xing operates on an 11.86 year
cycle. The consequence of this time differential is that approximately once
every thousand years +/- the sequential order of the Sui Xing actually advances
one Branch in its yin progression in relationship to the Tai Sui, thereby
changing the order and observance of conjunctions.
The Tai Sui is related to the 12 Earthly Branches.
Progressing in a yang (clockwise) rotation and operating on a 12 year cycle, the
Tai Sui spans the entire 30º of the Year Branch. The Tai Sui determines the
auspiciousness or inauspiciousness of the year.
The Tai Sui, although encompassing one of the three
Branches of the Frame of the Year, is technically not a component of the San
Sha. However, when the Year Branch corresponds to a Xing direction the Tai Sui
occupies the location diametrically opposed to the central Mountain of the San
Sha.
Tai Sui sha is stronger than Sui Po sha.
Offending or disturbing the Tai Sui may cause various
levels of effects including illness and injury. Minor effects could entail loss
of money. Medial effects could entail blood-related injuries and loss of wealth.
Extreme effects could entail severe injuries, calamities, and fatalities.
If the Tai Sui is not disturbed it is usually not a
problem.
Avoid disturbing the earth or engaging in renovations
or construction in the Tai Sui direction as this is Fan Sha (touching or against
Sha). If the Tai Sui is not disturbed it is usually not a problem. However, it
is advisable to avoid the Tai Sui, it is acceptable to sit with your back to the
Tai Sui, but it is not advisable to face Tai Sui. It is also advisable to ensure
that there is a good annual or monthly star at the Tai Sui and to choose correct
dates from the Tong Shu if it is necessary to perform construction or
renovations in the Tai Sui direction.
It is also advised not to engage in new construction
of a building that, during the specific year, faces the Tai Sui.
In a Zi year, a building with a Zi sitting is
acceptably sitting on the Tai Sui, but a building with a Zi facing is
detrimentally facing the Tai Sui.
Also, when the Tai Sui is at a door entering into the
building, opening and closing the door is considered to be a disturbance. The
cure is to place a pair of metal Qi Lin inside or outside the door.
Remedies can be employed to subdue or vanquish the
effects of Tai Sui. If the Tai Sui is disturbed, place metal between the
building and the disturbance. This cure remains the same from year to year and
from Period to Period.
Sui Po
The Sui Po is referred to as the Year Clash, Broken
Year, or Qi Sha (7 Sha because it is the 7th Palace of the year counting from
and including the Year Branch). The Sui Po is also an intangible star which
always diametrically opposes the Tai Sui. In any given year, the Sui Po always
occupies the Branch known as the Year Clash, which is always directly opposite
the Tai Sui. The detrimental influence of the Sui Po spans the entire of 30º of
the Year Clash.
The Sui Po is related to the 12 Earthly Branches.
Progressing in a yang (clockwise) rotation and operating on a 12 year cycle, the
Sui Po spans the entire 30º of the Year Clash.
The Sui Po is not a component of the San Sha.
However, when the Year Branch, and subsequently the Tai Sui, corresponds to a
Xing direction the Sui Po occupies the same location as the central Mountain of
the San Sha. This interactive combination of Sui Po and San Sha compounds the
evil to exert additional detrimental influence to the specific Mountain
affected.
Also, the Sui Po has erroneously been associated in
some conventions as Sui Xing. But, the Sui Po is not Sui Xing. This is evidenced
by the fact that Sui Po, as the Tai Sui, operates on an exact 12 year cycle,
while Sui Xing operates on an 11.86 year cycle, and that they progress in
opposite directions.
Sui Po sha is weaker than Tai Sui sha, but disturbing the San Sha may cause
fatality when combined into the Year Clash with the Sui Po.
If the Sui Po is not disturbed it is usually not a problem.
Avoid disturbing the earth or engaging in renovations or construction in the
Sui Po direction as this is Fan Sha (touching or against Sha). It is advisable
to avoid the Sui Po, it is acceptable to face the Sui Po, but it is not
advisable to sit in the Sui Po because it is unfortunate to set yourself up as
opposing the year. It is also advisable to ensure that there is a good annual or
monthly star at the Sui Po and to choose correct dates from the Tong Shu if it
is necessary to perform construction or renovations in the Sui Po direction.
It is also advised not to engage in new construction of a building that,
during the specific year, sits on the Sui Po.
In a Zi year, a building with a Wu sitting is acceptably facing the Sui Po,
but a building with a Wu facing is detrimentally sitting on the Sui Po.
Also, when the Sui Po is at a door entering into the building, opening and
closing the door is considered to be a disturbance. The cure is to place a pair
of metal Qi Lin inside or outside the door.
Remedies can be employed to subdue or vanquish the effects of Sui Po. If the
Sui Po is disturbed, place metal between the building and the disturbance. This
cure does not differ from year to year or from Period to Period.
The 5-Yellow Star
Although the 5-Yellow Star is not associated with the San Sha, Tai Sui, or
Sui Po, it should be noted that it also exerts detrimental effects to one of the
Palaces of the Ba Gua. The annual location of the 5-Yellow Star should also be
considered as a Sha direction.
The 5-Yellow Star, associated only with the San Yuan, is related to the Luo
Shu. The 5-Yellow Star is associated with extremely evil influences and
detrimental effects. When activated by proper forms the 5-Yellow Star can cause
extreme calamity and misfortune.
Prerequisite to understanding the Annual Stars is knowledge of the Luo Shu
and the subsequent progressions of associated mathematical formulae.
The Annual Stars, related to time and subsequent changes incurred over time,
are portents of both Sheng and Sha Qi dependent on the nature and timeliness of
the specific star. These stars change locations annually, the change coinciding
with Li Chun, the annual beginning date of the Chinese Solar Calendar.
The annual location of the 5-Yellow Star is determined by mathematical
formulae. The stars fly in a yang progression of the Luo Shu, but in a
descending order (i.e., the palace occupied by the 5 Star this year will be
occupied by the 4 Star next year). Operating on a 9 year cycle, the 5-Yellow
Star spans the entire 45º of each of the 8 Palaces of the perimeter of the Luo
Shu, but unlike the San Sha, Tai Sui, and Sui Po, the 5-Yellow Star will also
occupy the Central Palace once every 9 years.
Summary Examples
| 1999 - Mao, Year of the Rabbit
|
| Tai Sui occupies the Branch Mao in the East |
| Sui Po occupies the Branch You in the West |
| San Sha occupy the Mountains Shen, You, and Xu in the West |
| Jia Sha occupy the Mountains Geng and Xin in the West |
| 5-Yellow Star occupies the Fire Palace Li in the South
|
| 2000 - Chen, Year of the Dragon
|
| Tai Sui occupies the Branch Chen in the East |
| Sui Po occupies the Branch Xu in the West |
| San Sha occupy the Mountains Si, Wu, and Wei in the South |
| Jia Sha occupy the Mountains Bing and Ding in the South |
| 5-Yellow Star occupies the Water Palace Kan in the North
|
Joey Yap and Bill Clement, © 1999, All Rights
Reserved
Joey Yap Joey Yap has been described as a highly talented and
creative individual who has an exceptional affinity with the ancient science of
Feng Shui. His young age belies his enormous knowledge. His amazingly deep
understanding of Feng Shui confounds many. A man with great vision and
innovative ideas, Joey Yap is not only the founder of the Mastery Academy of
Chinese Metaphysics but is also the person responsible for developing the
structured learning program of the acclaimed Feng Shui Mastery Series, Xuan Kong
Mastery Series and other courses taken by classical Feng Shui practitioners and
students throughout the world.
Website: www.joeyyap.com www.masteryacademy.com www.masteryjournal.com
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